The Story of Little Black Sambo

By Bannerman, Helen

Publishers Summary:
A remarkable celebration from the Caldecott Honor-winning artist! A clever young boy outwits a band of voracious tigers and returns home in triumph to a splendid feast of a yard-high stack of pancakes. The story, penned by Helen Brodie Bannerman for her two daughters in 1889, has captured the imagination of readers around the world and across many generations. But the pictures which accompanied her text were crudely stereotypical and hurtful to many. Caldecott Honor-winning artist Christopher Bing has spent almost fifteen years rediscovering the joy and energy of the original story. He respects that Bannerman was writing in an Indian setting and with Indian animals—after all, there are no tigers in Africa—and faithfully adheres to the original text. However, recognizing that the image of Sambo has been used as a symbol of repression of Africans and African-Americans, Christopher Bing celebrates Sambo as proudly African, a child of beauty and joy, wit and resourcefulness. In recreating the illusion of an antique, weathered, tiger-clawed storybook filled with exquisitely detailed paintings that draw upon a lush jungle-inspired palette, Christopher Bing’s interpretation of Sambo’s world seamlessly melds a grand sense of wonder with the minutiae of nature, and a story with history.

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ISBN
978-1-92976-655-0
Publisher
Handprint


REVIEWS

School Library Journal

Reviewed on January 1, 2004

PreS-Gr 4 Despite the controversy surrounding Bannerman's racially insensitive choice of names and style of illustration for her 1899 book, Little Black Sambo perseveres in print and in the memories of adults who encountered the tale as children. Whereas Julius Lester (Sam and the Tigers [Dial, 1996]) casts Sam as a hero of the American South, and Fred Marcellino places The Story of Little Babaji (HarperCollins, 1996) in India, Bing affirms Bannerman's text and the incongruities inherent in fantasy. His African child lives in India w...Log In or Sign Up to Read More

Horn Book Magazine

Reviewed on January 1, 2004

Fred Marcellino tried to solve the Sambo perplex by renaming the boy, and Julius Lester and Jerry Pinkney tried postmodernizing him, but Christopher Bing finds his solution in Bannerman's original improbability: sticking with the 1899 text, Bing portrays Sambo as a little boy of African heritage at home in the jungle of colonial India. Although the large pages of this book have been subjected to a faux-antique finish to give the illusion—and perhaps the excuse—of nostalgia, the lush i...Log In or Sign Up to Read More

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