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Library Journal
Reviewed on April 15, 2007
In 1979, when feminist multimedia artist Chicago's "The Dinner Party" installation opened at the San Francisco Museum of Art, an ongoing dialog about women's roles and identities was energized. This is at once a short polemic by Chicago defending her personal and artistic style, a description of the effort involved in preserving the work and maintaining its integrity, and a meticulous guide to the installation itself; it is this last cha...Log In or Sign Up to Read More