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Frank Gehry represents a paradox in architecture. Embraced by established financial and cultural institutions, his work is also viewed as avant-garde. Gehry first drew notice with his original use of ordinary materials, then progressed to nonorthogonal undulating forms, often employing a reflective titanium cladding. His highly sculptural buildings develop from lively, fluid sketches and study models that often include crumpled paper. All of this is ably presented in an exh...Log In or Sign Up to Read More