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Library Journal
Reviewed on February 15, 1998
The sometimes shady world of the international art market has become a popular subject for writers and television reporters. Stolen treasures, smuggled antiquities, and the seemingly endless cultural atrocities of World War II have been covered in a spate of recent works. Watson, a journalist and author of the art-crime work The Caravaggio Conspiracy (LJ 2/1/84), here turns the harsh light of publicity on the elite ...Log In or Sign Up to Read More