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Library Journal
Reviewed on March 1, 2005
In his latest work, Pears accomplishes the near-impossible; he turns unstoppable monolog, potentially a one-note bore, into a true tour de force. The monolog, delivered by an unnamed artist painting the portrait of an old friend, is initially engaging and finally utterly chilling in what it reveals of the characters' shared past and the sitter's irredeemable sins. As a callow Scottish boy, the artist...Log In or Sign Up to Read More