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Library Journal
Reviewed on March 15, 2007
For French conceptual artist Annette Messager (b. 1943), words are central, and writing is akin to sewing, albeit with many pricks of the needle. Editor Bernadac's book reflects this busy metaphor. The intimate and the public, the playful and the critical are stitched together, their boundaries sometimes indistinguishable and always a little surreal. This is, of course, the point-not only of Messager's art, which has made her one of France's best-kn...Log In or Sign Up to Read More