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Krauss provides a provocative study of Sherman's impact as an artist and the pervasiveness of photography itself. The reproductions, many in color, are abundant, splendidly executed, and often as potent and startling as the originals. Sherman, one of the true masters of contemporary photography, is best known for photographing herself in various incarnations. The subject, however, is not the artist as much as the concept of woman-as-spectacle. Columbia pr...Log In or Sign Up to Read More