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Julian Schnabel

Malerei / Paintings 1978-2003

By Schnabel, Julian

Publishers Summary:
People have asked me, as a painter, how do I do it? There's no separation really, between life and art for me. That can sound like a pretentious thing, but what's the fucking difference? Art, that's what I do, and I use everything, consciously or unconsciously. --Julian Schnabel Observers of contemporary art associate the name Julian Schnabel with highly evocative, large-scale paintings. At the time of his early exhibitions in the U.S. and Europe in the 80s, the larger-than-life Schnabel was loudly hailed as a new milestone in the development of painting, the savior of an art form declared dead years before. Still painting some of the most massive canvases around, Schnabel is a virtually unrivalled master in the use of "bigness" and a broad range of materials. Fragmentation and overlapping play an important role in his art, in terms of both material and content. If his paintings don't exhibit a consistent style, why should they? Instead, they combine oil painting and collage techniques, classical pictorial elements inspired by historical art, Neo-Expressionist features, as well as figuration and abstraction, gesture and structure. This volume presents a broad selection of Schnabel's paintings in a survey of his diverse oeuvre, with emphasis placed on works from 1990 to the present. Essays by Robert Fleck, Max Hollein, Alison Gingeras and Ingrid Pfeiffer. Hardcover, 10.25 x 11.5 in./176 pgs / 70 color and 30 b & w.

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ISBN

978-3-77571-386-3

Publisher

Hatje Cantz Publishers