A View of Delft

Vermeer and his Contemporaries

By Liedtke, Mr Walter & Liedtke, Walter A.

Publishers Summary:
This book is a collection of writings on aspects of painting in Delft during the period 1650–1675. Walter Liedtke, highly respected curator and scholar of Dutch and Flemish art, discusses at length the work of four artists: Carel Fabritius, Gerard Houckgeest, Pieter de Hooch, and Johannes Vermeer. Liedtke considers recent interpretations and research on these artists' works, exploring in particular the relationship between style and observation in their paintings. The book begins by examining the question of whether such a community or tradition as the "Delft School" ever existed and by reviewing earlier opinions on the matter. The second chapter is devoted to Fabritius's small townscape A View in Delft, its reconstruction as an illusionistic image originally mounted in a perspective box, and the painting's significance in the narrow and in the broadest sense. In the third chapter, Leidtke focuses on a specialized genre in Delft--views of actual church interiors--and offers another explanation of how naturalistic paintings, even those that carefully record existing sites, inevitably depend upon pictorial precedents. The fourth chapter on De Hooch and the "South Holland" tradition of genre painting prepares the way for the fifth, a look at Vermeer's early work. In the final chapter, the author considers Vermeer's work as a mature artist, one who has completely mastered his means.

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ISBN
978-0-30009-053-6
Publisher
Yale University Press


REVIEWS

Library Journal

Reviewed on December 1, 2001

Liedtke, the curator of European paintings at New York's Metropolitan Museum of Art, has produced a book that is broad in scope but refined in detail. He reviews the artists who resided in Delft or "South Holland," as Liedtke chooses to refer to the area between the years 1650 and 1675. Following close on the heels of the recent "Vermeer and the Delft School" exhibit at the Met, this book, though conspicuous in both proximity and theme to the exhibit, is not a catalog of the works therein. Here Liedtke, who also wrote Vermeer and the Delft School (LJ 6/15/01), which served as catalog, examines how perception and style interact and concentrates on examini...Log In or Sign Up to Read More

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