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Library Journal
Reviewed on June 15, 2003
Typeface demo sheets, eye charts and logos come together to create a lush, idiosyncratic catalogue of visual ephemera as chosen by Rothenstein, a designer, and Gooding, an art critic and curator. They present forgotten modernist lettering, from Italian Futurist and Russian Constructivist graphics to Czech Karel Teige's 1926"living poem" (of typeface combined with illustrative photography of a dancer);"The A...Log In or Sign Up to Read More