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Library Journal
Reviewed on May 1, 2006
Green (history of art, Courtauld Inst., London;Art in France, 1900-1940 ) reveals Picasso's involvement with social, historical, technological, logical, racial, political, psychological, and modern ideas of the early 20th century. He focuses on a few of the artist's major works, such as the metal and cardboard guitar sculptures of 1912 and 1924, and analyzesLes Demoiselles d'Avignon in terms of la...Log In or Sign Up to Read More