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Library Journal
Reviewed on October 1, 2012 | Fiction
Variously interpreted as political allegories of McCarthy-era finger-pointing and paranoia, neither High Noon (1952) nor Body Snatchers (1956) rely on symbolic allusion for their dramatic force. In the former, Gary Cooper is the duty-bound small-town marshal who faces down merciless killers after being abandoned by a g...Log In or Sign Up to Read More
